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Raumpatrouille (Space Patrol: The Fantastic Adventures of the Spaceship Orion) made its debut a mere week after Star Trek appeared in the US. The show was set in a future when a unified Earth had evolved into a cohesive government and colonized in space, as. Orionspace.de: Starlight Casino / Raumpatrouille - Die phantastischen Abenteuer des Raumschiffes ORION. . DuelingShows: 'Raumpatrouille's first episode 'Angriff aus dem All' was aired on 17 September, 1966, five days before the second 'Series/StarTrek' 'Series/StarTrekTheOriginalSeries' pilot 'Where 'Where No Man Has Gone Before' Before' (the first episode to feature Kirk, Scott and Sulu).However, the 'duel' only emerged in retrospect as 'Raumpatrouille' was not shown in America.

Raumpatrouille - Die phantastischen Abenteuer des Raumschiffes Orion (2003) cast and crew credits, including actors, actresses, directors, writers and more. Orion-Astrogator Atan Shubashi (archive footage) (as F.G. Starlight casino dancer (archive footage) Doris Cosiol. Starlight casino dancer (archive footage). View credits, reviews, tracks and shop for the 1979 Vinyl release of Raumpatrouille (Die Phantastischen Abenteuer Des Raumschiffes ORION) on Discogs. Label: Fontana - 6434 261. Series: Fontana Special. Format: Vinyl LP, Album, Reissue. Country: Germany. Genre: Electronic, Jazz, Stage & Screen. Style: Soundtrack, Soul-Jazz, Future.

One of three series internationally known as Space Patrol was the 1966 German TV showRaumpatrouille - Die phantastischen Abenteuer des Raumschiffs Orion (Space Patrol - The Fantastic Adventures of the Spaceship Orion), which was produced in collaboration with French TV, where it was entitled Comando spatial. It's 7 one-hour episodes (no commercials) long, impossible to find outside of its mother country and later spawned a big heap of paperback and pulp novels. It, like a certain concurrent American TV series was about a bunch of people that actually patrolled space. For conoisseurs of science-fiction and the related tropes, Raumpatouille is of interest because in some respects it enables one to test the popular hypothesis of how 'cutting-edge' Star Trek really was at the time. Most notably in the field of gender roles, Raumpatrouille showed that more substantial female roles than Bridge Bunnies actually were possible on TV in 1966.

Raumpatrouille was produced at the Bavaria film studios near Munich on a limited budget - for Star Trek they spent about 75 percent of the total Raumpatrouille production costs just on the pilot episode. To save costs the series was shot in black and white. But although they had to economize it looked pretty good as the people in charge were very competent. Set designer Rolf Zehetbauer won an Oscar for Cabaret, while special-effects man Theo Nischwitz had already worked on F.P. 1 antwortet nicht (1931) and Münchhausen (1942); the two would go on to collaborate on Das Boot. Still, they had to use quite a few futuristic looking, but commercially available household implements etc. in building the Orion bridge; keep your eyes open for the famous handle of an electric flatiron.

The crew of the fast space-cruiser Orion consisted of

• Major Cliff Allister McLane, the commander and The Hero, a Military Maverick and Chick Magnet.
• Lieutenant Mario de Monti (armament). Officially the commander's deputy. A ladies' man, at least in his own mind.
• Lieutenant Hasso Sigbjörnson (engineering). The oldest and only married member of the crew who in the first episode is seriously considering retirement, but carries on out of friendship to the others.
• Lieutenant Atan Shubashi (astrogator). The quiet one. Owner of 264, one of the last 376 poodles surviving on Earth in the year 3000.
• Lieutenant Helga Legrelle (communications, observation, deflector shields). The youngest of the crew; not so secretly sweet on the dashing commander.

The Orion and its close-knit crew originally belong to the the rapid space unit commanded by General Lydia van Dyke, but because of their continual habit of disobeying orders and regulations, they are transferred to the lowly space patrol that belongs to General Winston Woodrov Wamsler's reconnaissance command. To ensure that henceforth McLane sticks to regulations, stern Lieutenant Tamara Jagellovsk of the Galactic Security Service is assigned to the Orion as a watchdog with the authority to give him orders if need be.

The seven episodes of the TV series are:

• 1. Angriff aus dem All (Attack from Space): A First Encounter of the deadly kind. Introducing the major recurrent threat of the series, the alien 'Frogs'.
• 2. Planet außer Kurs (Planet off Course): The Frogs send a fiery planet on collision course with Earth. The crew succeeds in destroying it, but the Orion VII is destroyed in the process.
• 3. Hüter des Gesetzes (Guardians of the Law): The first mission of the Orion VIII is a robot story set on a mining colony.
• 4. Deserteure (Deserters): The Frogs have a mind-control device, but the Orion has Overkill.
• 5. Kampf um die Sonne (Fight for the Sun): An encounter with a matriarchal former rebel colony.
• 6. Die Raumfalle (The Space Trap): An outing with a science-fiction author runs into trouble when he is captured by a Mad Scientist who has taken over a penal colony.
• 7. Invasion: A Manchurian Agent sabotages Earth's defenses and comes close to making the Frog invasion a success. But the Orion saves the Earth (again), and in the end it is transferred back to van Dyke's force, McLane is promoted to colonel, and Cliff and Tamara finally get to kiss.

The series was very successful in Germany and also exported to a number of other continental European countries. Still the executives of German (public) television decided against producing a second season, word has it because they thought the series was too 'militaristic', which in postwar Germany was something quite serious.

• BBC Quarry: Scenes set on the surface of planetoids were shot in the spoil tips of the Peißenberg coal mine.
• Betty and Veronica: Helga (brunette) is the Betty and Tamara (blonde) the Veronica; in the final episodes Cliff and Tamara become a couple.
• Bridge Bunnies: An early aversion. Due to the small size of the crew, individual members frequently have to pinch-hit in each other's jobs when part of the crew is on a surface or space mission. Helga Legrelle thus can be seen piloting one of the 'Lancet' shuttlecrafts or installing machinery and weapons. Tamara Jagellovsk can hold her own in face-downs with McLane, while Lydia van Dyke, who appears in four of seven episodes, is the only real frontline commander among the otherwise male generals.
• Bug War: The attacks by the Frogs (sic) in episodes 1, 2, 4, and 7 go into this territory, even though they have a vaguely humanoid shape.
• Catch Phrase: The command 'Rücksturz zur Erde!' (return to base at once, literally: plunge back to Earth) became one. Also the metallic-voiced countdown that punctuated every Orion and Lancet launch sequence.
• Compilation Movie: Produced in 2003.
• Cool but Inefficient: The launch sequence. The Orion took off from beneath the sea, rising through an artificially created maelstrom.
• Cool People Rebel Against Authority: O ja! Although it does come to bite them in the ass on occasion, such as in episode 3, where the crew does not pay proper attention at a course on robot programming.
• Cool Starship: The Orion VII and Orion VIII obviously. The latter is described not only as the fastest ship in the fleet, but also the first one to be equipped with the Overkill projector. Why such a ship would be assigned to the lowly Space Patrol where it would be used for satellite maintenance and such is anyone's guess.
• Desk Jockey: Quite a number of recurring characters fall into this category, for instance every officer above the rank of colonel (with the shining exception of General van Dyke), Wamsler's adjutant Spring-Brauner, Colonel Villa's nameless assistant, and the ground crew overseeing the launches from Base 104.
• Fake Nationality: Pretty much every character was played by German and Austrian actors, although a few scenes were shot twice, with French actors playing a few minor parts for the French version. French Orion crew member Lieutenant Legrelle, however, was played by German actress Ursula Lillig in both versions.
• A Father to His Men: General Wamsler is this in the gruff-but-fair version. Though a Desk Jockey now, he is also enough of an Old Soldier to see through some of the tricks McLane and his crew use to cover up their escapades.
• First-Name Basis: The Orion crew is on this, except of course towards Lieutenant Jagellovsk. In an off-duty conversation in episode 4 van Dyke addresses McLane by his first name, but he calls her 'general'.
• Future Music: The producers apparently figured that the people of the future will continue to invent new popular dances. The dances in the Starlight Casino involve movements that look like warm-up gymnastics and may involve people dancing very close back to back. Watch it yourself!
• Good Guy Bar: The Starlight Casino, where fleet and GSD personell of all ranks congregate to chat, flirt, talk shop and dance in some very odd 'futuristic' dances. The Orion crew can usually be found here off-duty and has a fleet-wide reputation for its alcohol intake. The Starlight has a glass roof through which you can see the tropical fish in the sea above.
• Great Offscreen War: There are several references to the two Galactic or Interplanetary Wars in the series, which were waged between Earth and some rebel colonies. The pulp novelizations eventually related some of the pre-Raumpatrouille adventures of the older members of the crew, revealing e.g. that McLane had served under General van Dyke's father in the Second Galactic War.
• Instrumental Theme Tune: One of the best-known in German TV, it remains popular and was played at the unveiling of the restored Brandenburg Gate in 2002.
• Kill It with Water: In episode 1, the Frogs are impervious to ray guns, can survive in a vaccuum, but are taken out by Hasso and Atan exploding an oxygen tank.
• Lady Land: The pacifist matriarchal society of Chroma, headed by SHE (German: SIE), perhaps the only woman able to resist Major McLane's charm.
• The Mentor: Colonel Villa in many of his appearances.
• Mother Nature, Father Science: All scientists are male, even the Chromans in episode 5 who come from a matriarchal society. In one subversion, in episode 4, when it becomes necessary to repair a particularly advanced type of robot, Tamara Jagellovsk is the only one who has taken the necessary course and can do it.
• Multinational Team: The crew consists of of an American commander of Scottish extraction, a Scandinavian, an Italian, a Japanese (?), and a Frenchwoman. They are joined by Russian security officer.
• Nepotism: In episode 6 Pieter Paul Ibsen gets to accompany the crew because he is the space minister's son-in-law.
• Noodle Incident: In episode 1 Wamsler quickly lists of a number of occasions where McLane had acted without authorization to explain why he is transferred to the Space Patrol and a watchdog is assigned to him.
• Obstructive Bureaucrat: Lieutenant Spring-Brauner, General Wamsler's aide-de-camp. Some of the members of the O.R.B. (Oberste Raumbehörde, i. e. supreme space authority) also verge on this.
• The Political Officer: Lieutenant Tamara Jagellovsk starts out as a non-political equivalent, but like her spiritual ancestress Ninotchka mellows soon enough.
• The Power of Friendship: Big time. Not just among the crew, but the friendships of various of its members with those of the crews of other ships or space bases is often a plot point.
• Red Shirt: Averted.
• Religious and Mythological Theme Naming: The military spaceships are mostly named after constellations that are named for mythological figures (Orion, Hydra, Pegasus). In Episode 3 one of the 'Lancet' shuttlecrafts is left behind to project a 'Laurin', an energy imitation of a full-sized spaceship, to disguise the fact that the Orion has left its station. Laurin was a dwarf from medieval legends who could turn himself invisible.
• Self-Deprecation: The appearance of science-fiction writer Pieter Paul Ibsen in episode 6 provides an occasion for the crew to mock the genre. Also, is it a coincidence that there are only two characters with German names in the series, and one of them is an Obstructive Bureaucrat and the other is a bad guy?
• Space Clothes: Simply cut black uniforms for the spacefleet, grey for the GSD. Women usually wore knee-length skirts with long boots, but could put on trousers for missions.
• Space Navy: Partly averted. The officers have non-naval ranks (major, colonel, general, marshal) and the Orion crew to a large extent behave like stereotypical air force combat pilots and return to Base 104 at the end of every episode. Also the spaceships generally have names from astronomy, the military being named after mythologically constellations (Orion, Hydra, Perseus) and the GSD cruiser Tau after a Greek letter used to designate a star within a constellation. Unlike those of Star Trek, the Raumpatrouille ships are not named after famous naval ships and admirals of the past (Enterprise, Essex, Farragut).
• The Spymaster: Colonel Villa, head of the Galactic Security Service. Often inscrutable, doubly so because he was cast against type with Friedrich Joloff, an actor best known for playing villains, especially cold-blooded killers. Cultured and a bit of a pacifist, he helps McLane to avert a war in episode 5.
• Third Option Love Interest: In episode 4 General van Dyke is having a pleasant conversation with Cliff McLane in the Starlight Casino and notes with amusement the jealous look Tamara Jagellovsk is giving her from another table. In the paperback novels, Cliff eventually broke up with Tamara and for a time become lovers with Lydia, so maybe Tamara was prescient.
• 'Three Laws'-Compliant: The robots in the series are, although in the third episode 'Guardians of the Law' the robots on a mining colony, after witnessing a murder, go haywire and imprison all humans to ensure that no harm befalls them.
• Underwater Base: Spaceship base 104, the headquarters of the military and the Galactic Security Service as well as the crew's private homes are all situated at the bottom of the Gulf of Carpentaria.
• Wave Motion Gun: The aptly named Overkill (sic) projector, first tested and used in combat in episode 4.

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Raumpatrouille – Die phantastischen Abenteuer des Raumschiffes Orion (literal translation: Space Patrol – The Fantastic Adventures of the Spaceship Orion), also known as Raumpatrouille Orion, and Space Patrol Orion in English, was the first Germanscience fictiontelevision series. Its seven episodes were broadcast by ARD beginning September 17, 1966 six years before Star Trek first aired in West Germany (in 1972). Being a huge success with several reruns audience ratings went up to 56 %.^[1] Over the years, the series acquired a distinct cult status in Germany .^{[citation needed]}

Premise

In the series flying saucers, such as spaceship Orion, are flown by humans, whilst the aliens fly fighter jet-like contraptions. The titular ship of the series title, 'Spaceship Orion', (German 'Raumschiff Orion') is portrayed as being a fast space cruiser (German: Schneller Raumkreuzer), the newest starship in mankind's fleet and the fastest spacecraft ever created by humans.

In an entertaining and ironic way the show tells the story of Commander Cliff Allister McLane (Dietmar Schönherr), an Earth starship captain and his loyal crew. He is Orion's commander in the developing war against an alien race called the Frogs. He is notoriously defiant towards his superiors.

Characters

• Major Cliff Allister McLane (Dietmar Schönherr) is the commander of the Orion and a friend to most of its crewmen. He is a daredevil and hero who does not fight for money or glory, but for peace. He has been a member of Earth's space fleet for 15 years and was a soldier in at least one previous large-scale war (in the novels, these adventures of Cliff and his crew were described, too). As a running gag, McLane often has to destroy the spaceship Orion to save Earth, afterwards being awarded command of a better vessel (also named 'Orion'). In the TV series it was shown only with the destruction of the Orion VII, though in the novels it went as far as to the Orion X-C.
• Lt. Mario de Monti (Wolfgang Völz) is the computer specialist and gunner ('armament officer') of the Orion and a good friend of Commander McLane. He is often shown drinking with his friends and he is a womanizer who likes to flirt with young, attractive women (not even Tamara is safe from him, but she turned him down pretty heavily).
• Lt. Atan Shubashi (Friedrich Georg Beckhaus) is the astrogator and star cartographer of the Orion. He is the owner of 264, one of the last 367 poodles that still exist on Earth.
• Lt. Hasso Sigbjörnson (Claus Holm) is the Orion's engineer, a character reminiscent of Star Trek'sMr. Scott. He likes to drink and is the only crewmember who is married (his wife is named Ingrid and he always promises her to retire from active duty). He is an old friend of Commander McLane who usually helps him to explain to Ingrid why he can't retire after all.
• Lt. Helga Legrelle (Ursula Lillig) is the female surveillance and communication officer of the Orion. Like the other members of the crew, she dislikes Tamara Jagellosvk and feels monitored by her. Like Jagellovsk, Legrelle has a secret crush on Commander McLane and reacts very jealously whenever she notices Jagellovsk paying too much attention to him.
• Lt. Tamara Jagellovsk (Eva Pflug) is a female member of the GSD ('Galaktischer Sicherheitsdienst', German for 'Galactic Security Service', the military intelligence service) who has been given the task of keeping McLane under control. Tamara likes McLane, however, and is very amused by his sense of humour. The Crew at first strongly dislike her, but with time they develop a feeling of mutual respect. Tamara can issue 'Alpha Orders' which are orders of highest priority that have to be obeyed by McLane at all cost.
• Frogs are a highly advanced and very intelligent, energy-like race of extraterrestrial conquerors who are attempting to destroy Earth's space fleet and eliminate mankind. They have extremely fast starships and powerful energy-weapons. Some of their technological abilities are superior to Earth's. In the novels, it was finally found out how they called themselves: Uraceel.
• General Winston Woodrov Wamsler (Benno Sterzenbach) is McLane's commanding officer while he is demoted to 3 years of space patrol duty at the TRAV ('Terrestrische Raumaufklärungsverbände', 'Terran Space Reconnaissance Division').
• General Lydia van Dyke (Charlotte Kerr) was Cliff's original commanding officer when he was still at the 'Schnelle Kampfverbände' ('Fast Battle Cruiser Division') and she expected him 'not to resign like a sulking space cadet' when he was demoted, but to return to her fleet after his 3 years of patrol duty. She is also the commanding officer of the space ship Hydra.
• Oberst (= Colonel) Hendryk Villa (Friedrich Joloff) is the head of the GSD ('Galaktischer Sicherheitsdienst', 'Galactic Security Service') and thus the boss of Lt. Tamara Jagellovsk.
• Lt. Michael Spring-Brauner (Thomas Reiner) is the adjutant of Gen. Wamsler and has a strong dislike towards McLane and his crew (which is mutual). He is a stuck-up bureaucrat and tries to make McLane's life as miserable as he can.
• Space Marshal Kublai Krim (Hans Cossy) is the commanding officer of the Earth Space Forces (Kommandant der Raumstreitkräfte)
• Sir Arthur (Franz Schafheitlin) is the head of the Earth Space Forces (Oberkommandant der Raumstreitkräfte)
• von Wennerstein (Emil Stöhr) is a representative of the Earth government

(As the intro of the series says 'there are no nations anymore', the names of the characters hint at a nationality, but they are obviously members of a united Earth and not separate countries.)

Fictional Technology in Space Patrol

• Astrodisc (German 'Astroscheibe') is a viewing screen that can produce holographic images of space. It has the same function as the bridge screen of the Enterprise. The astrodisc stands in the middle of the Orion's bridge.
• Light thrower batteries (German 'Lichtwerferbatterie') are the weapons most frequently used by Earth's space fleet and the ships of the Frogs. These weapons appear in many different sizes, ranging from hand lasers to planet destruction-cannons. Orion was the first German production to feature the English word 'laser'.
• Antimatter bombs these are bombs containing antimatter and were used in the attempt to destroy the 'Supernova' in the 2nd episode ('Planet außer Kurs', Planet off course).
• Overkill is a new weapon that was introduced in the 4th of the TV episodes ('Deserteure') and that was installed at the Orion as first Earth space ship. It seems to be a disintegrator style weapon that is able to obliterate large parts of a planet and cause enormous craters hundreds of kilometres wide.
• ASG wrist communication devices (in German: 'Armbandsprechgerät') are part of the technology of Earths space fleet. They are compact com devices that are worn around the wrists.
• Robots (German 'Roboter') are helpers, guards and even housekeepers in the world of tomorrow. Their use is shown to be problematic, because they are depicted as suffering from frequent malfunctions, making them dangerous to human beings (especially if they are battle robots). They appear in the series as androids and floating battle robots. Some of the humanoid robots are very similar in design to the modern, Vietnamese robot TOPIO.
• Deep sea bases (German 'Tiefseebasis') are giant cities located under water. They are modern, beautiful and have big windows to allow the people to see fish and other underwater life forms. The Orion usually starts and lands at Basis 104 which is located in the Carpentaria Gulf of Australia
• Faster-than-light-engine (German 'Überlichtantrieb') is the main drive that allows the crew to traverse the universe at speeds faster than light. The Frogs use a similar but superior technology, with the result that their spacecraft can out-pace the ships of the Space Patrol.
• Magnet shield (German 'Magnetschild') is a protective shield which is used by the Frogs. The Shield appears as a powerful energy-bowl that encircles the starship.

Special effects and set decoration

Many of the special effects seen in the black-and-white series, like the underwater casino and space port, were created by means of the Schüfftan process.

As the series' budget was comparatively low, the set designers resorted to using modified common everyday objects; for instance, electric irons, inverted clock pendulums, washing-machine console parts and designer pencil sharpeners were used as props control panels, sewing thread coils and banana plugs as futuristic machine parts, and plastic cups as ceiling lights. Many panels were produced by the then-newly invented thermoforming process. Lots of designer furniture was also used, notably Ludwig Mies van der Rohe's 258-type couch, Harry Bertoia's Diamond-type armchair, Yrjö Kukkapuro's Karusseli-type armchair, Charles Eames's Aluminium group #EA105 chair, George Nelson's DAF Chair and Eero Saarinen's Tulpe table/chair combo. Joe Colombo's famous Smoke-type drinking glasses were used throughout the series.

Orion's cockpit was a 2.50m high, 10m wide interior set, built within a 28m exterior diameter sound stage. It stood on a 60 cm high metal tube construction to hide the 10,000m cable harness that connected its 3,200 flashing light bulbs to a 40 kg, electric motor-driven pinned-barrel mechanical sequencer.

The stage designer was Rolf Zehetbauer, who later won an Academy Award for his work on Cabaret.

Production

Rumours about the considerable costs of the series having led to its termination after only seven episodes were denied by the widow of the Orion's original screen writer, implying that it was planned from the start to have only seven installments. More episode screenplays were written than were filmed, however, and it has been claimed that more could not be realised by the German film industry both due to general funding problems and because, after seven episodes, the cost of the SFX and hire of the studio space had drained the resources of the Bavaria Film production company^{[citation needed]}. The French company ORTF contributed 20% to production funding and some scenes, notably in episode 5, were re-shot for the French audience using French actors.

Novelizations

145 novels based on and continuing the series were published over the years, often with settings which were considerably different to those seen in the series.

Feature film

A movie composed of various scenes from the original series, together with some new footage, debuted in 2003 but did not match the success of the original series. As described by Dietmar Schönherr in an interview, the series had tried to deal with serious issues, a fact appreciated by many of its viewers. The movie's producers tried to replicate the series in Trash culture style, however, thereby alienating much of the original fan base. The title of the movie was 'Raumpatrouille Orion – Rücksturz ins Kino'. The storyline was about the invasion and attacks of the Frogs, the term now becoming an acronym for 'Feindliche Raumverbände ohne galaktische Seriennummer'. In English this translates as 'Enemy Space Formation Without Galactic Serial Identification Number'. This description appears for the first time in the film and was never mentioned in the series.

Soundtrack and introduction

The emblematic soundtrack was composed by Peter Thomas.

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The voice-over introduction (similar to that used in Star Trek the same year), both set tone and atmosphere of the series.

Voice-over introduction in German:

'Was heute noch wie ein Märchen klingt, kann morgen Wirklichkeit sein. Hier ist ein Märchen von Übermorgen: es gibt keine Nationalstaaten mehr. Es gibt nur noch die Menschheit und ihre Kolonien im Weltraum. Man siedelt auf fernen Sternen. Der Meeresboden ist als Wohnraum erschlossen. Mit heute noch unvorstellbaren Geschwindigkeiten durcheilen Raumschiffe unser Milchstraßensystem. Eins dieser Raumschiffe ist die ORION, winziger Teil eines gigantischen Sicherheitssystems, das die Erde vor Bedrohungen aus dem All schützt. Begleiten wir die ORION und ihre Besatzung bei ihrem Patrouillendienst am Rande der Unendlichkeit.'

English translation:

'What may sound like a fairy tale today may be tomorrow's reality. This is a fairy tale from the day after tomorrow: There are no more nations. There is only mankind and its colonies in space. People have settled on faraway stars. The ocean floor has been made habitable. At speed still unimaginable today, space vessels are rushing through our Milky Way. One of these vessels is the ORION, a minuscule part of a gigantic security system protecting the Earth from threats from outer space. Let's accompany the ORION and her crew on their patrol at the edge of infinity.'

Episodes

• 'Angriff aus dem All' ('Attack from Space')
• 'Planet außer Kurs' ('Planet off Course')
• 'Die Hüter des Gesetzes' ('Keepers of the Law')
• 'Deserteure' ('Deserters')
• 'Kampf um die Sonne' ('Battle for the Sun')
• 'Die Raumfalle' ('The Space Trap')
• 'Invasion' ('Invasion')

Sources

• Josef Hilger (2003). Raumpatrouille. ISBN 3-89602-334-9
• Jörg Kastner (1995). Raumpatrouille ORION. ISBN 3-910079-53-9
• Jörg Kastner (1991). Das große Raumschiff Orion Fanbuch. ISBN 3-442-23642-8
• Raumpatrouille Orion. Bd.1, Wuppertal 1997, ISBN 3-930646-05-6

References

1. ^(German)'Science-Fiction aus dem Baumarkt'WDR

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External links

• Raumpatrouille - Die phantastischen Abenteuer des Raumschiffes Orion at the Internet Movie Database
• (German)Starlight Casino
• (German)AC1000 - Raumpatrouille fan group
• (German)Raumpatrouille Orion Rücksturz ins Kino (the movie)
• (German)Raumpatrouille quiz

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